Love’s Illusion (Music From The Montpellier Codex 13th-Century) cover

Love’s Illusion (Music From The Montpellier Codex 13th-Century)

Released

The Montpellier Codex is the most famous collection of polyphony from the 13th century, and Anonymous 4’s is the most successful, satisfying contemporary animation of it. The short motet, “Ne sai que je die,” for instance, showcases the group’s athletic unison singing. It is one of many pieces from the Codex that become easily digestible in the hands of Anonymous 4. Those seeking complexity, though, will also find it here, as these pieces often pile melodies, texts, and meanings into single, compressed wholes.

Sean Wood

Suggestions
Palestrina: Missa pro defunctis; Motets cover

Palestrina: Missa pro defunctis; Motets

Chanticleer, Giovanni Pierluigi da Palestrina
Choruses And Chorales From J.S.Bach: St Matthew Passion cover

Choruses And Chorales From J.S.Bach: St Matthew Passion

Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
Rising w/the Crossing cover

Rising w/the Crossing

The Crossing, Donald Nally
First Drop cover

First Drop

Ars Nova Copenhagen
 Schütz: Motets and Concertos cover

Schütz: Motets and Concertos

English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner
French Chansons cover

French Chansons

Claudin De Sermisy, Clément Janequin, Josquin Des Prez, Roland De Lassus, Scholars of London, The Scholars
The Bath cover

The Bath

Emma Houton
The Glory of Gabrieli cover

The Glory of Gabrieli

E. Power Biggs, Texas Boys' Choir, The Edward Tarr Brass Ensemble, The Gregg Smith Singers, Vittorio Negri
Carthage cover

Carthage

The Crossing, Donald Nally