Poulenc: Dialogues des Carmelites cover

Poulenc: Dialogues des Carmelites

Composer
Released

Dialogues of the Carmelites is known in particular for its finale, where Poulenc uses strange and surreal musical voices to stunningly direct and emotional ends. Kent Nagano’s recording avoids overselling, opting instead for clarity and attention to detail. His careful shading and pacing, very audible in the finale, ultimately magnify the strange power of Poulenc’s score.

Sean Wood

Suggestions
Balter / Saunier cover

Balter / Saunier

Ensemble Dal Niente, Deerhoof, Marcos Balter
p r i s m cover

p r i s m

Choir of Trinity Wall Street, Julian Wachner, Novus NY
Rimsky-Korsakov: Schéhérazade, Op. 35 cover

Rimsky-Korsakov: Schéhérazade, Op. 35

Chicago Symphony Orchestra, Fritz Reiner
Mahler: Lieder eines fahrenden Gesellen; Kindertotenlieder; Rückert-Lieder cover

Mahler: Lieder eines fahrenden Gesellen; Kindertotenlieder; Rückert-Lieder

Kent Nagano, Christian Gerhaher, Orchestre Symphonique de Montréal
Mahler: Das Lied von der Erde cover

Mahler: Das Lied von der Erde

Michael Schade, Pierre Boulez, Violeta Urmana, Wiener Philharmoniker
Julia Wolfe: Fire in My Mouth cover

Julia Wolfe: Fire in My Mouth

Jaap van Zweden, New York Philharmonic
Mahler: Das Lied von der Erde; 3 Rückert Lieder cover

Mahler: Das Lied von der Erde; 3 Rückert Lieder

Julius Patzak, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter
Mahler: Symphony No. 2 'Resurrection' cover

Mahler: Symphony No. 2 'Resurrection'

City of Birmingham Symphony Orchestra, Simon Rattle
Land of Winter cover

Land of Winter

Alarm Will Sound