Compared to the awesome reach and range of Bauhaus’s first two albums, The Sky’s Gone Out feels like it falls between two stools in the end, neither quite a new artistic extension all around nor a consolidation of its earlier approaches throughout. As a collection of individual songs, though, it’s got a few keepers, ranging from a bit of almost misty-eyed nostalgia in “All We Ever Wanted Was Everything” to the now-almost classic Bauhaus sound and feel of “Silent Hedges” and “Spirit,” not to mention their blasting album-starting cover of Brian Eno’s “Third Uncle.”